Published November 26, 2015
Tags: Fluid Dynamics, History
The character of fluid flow depends on a dimensionless quantity, the Reynolds number. Named for Belfast-born scientist Osborne Reynolds, it determines whether the flow is laminar (smooth) or turbulent (rough). Normally the drag force increases with speed.
The Reynolds number is defined as Re = VL/ν where V is the flow speed, L the length scale and ν the viscosity coefficient. The transition from laminar to turbulent flow occurs at a critical value of Re which depends on details of the system, such as surface roughness.
Continue reading ‘Life’s a Drag Crisis’
What use is maths? Why should we learn it? A forensic scientist could answer that virtually all the mathematics we learn at school is used to solve crimes. Forensic science considers physical evidence relating to criminal activity and practitioners need competence in mathematics as well as in the physical, chemical and biological sciences [TM080: search for “thatsmaths” at irishtimes.com ].
Trigonometry, the measurement of triangles, is used in the analysis of blood spatter. The shape indicates the direction from which the blood has come. The most probable scenario resulting in blood spatter on walls and floor can be reconstructed using trigonometric analysis. Such analysis can also determine whether the blood originated from a single source or from multiple sources.
Continue reading ‘Mathematics Solving Crimes’
Published November 12, 2015
Tags: Graph Theory, History
The availability of large historical data sets online has spurred interest in genealogy and family history. Anyone who has assembled information knows how important it is to organize it systematically. A simple family tree showing the direct ancestors of Wanda One is shown here:
Continue reading ‘Numbering the Family Tree’
Published November 5, 2015
Albrecht Dürer, master painter and engraver of the German Renaissance, made his Melencolia I in 1514, just over five centuries ago. It is one of the most brilliant engravings of all time, and amongst the most intensively debated works of art [TM079; or search for “thatsmaths” at irishtimes.com ].
The winged figure, Melancholy, sits in a mood of lassitude and brooding dejection, weighed down by intellectual cares. Her head rests on her left hand while her right hand holds a mathematical compass, one of many symbols and motifs in the work that reflect Dürer’s interest in mathematics.
Continue reading ‘Melencolia: An Enigma for Half a Millennium’