Posts Tagged 'Music'

Don’t be Phased by Waveform Distortions

For many years there has been an ongoing debate about the importance of phase changes in music. Some people claim that we cannot hear the effects of phase errors, others claim that we can. Who is right? The figure below shows a waveform of a perfect fifth, with components in the ratio {3 : 2} for various values of the phase-shift. Despite the different appearances, all sound pretty much the same.

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Johannes Kepler and the Song of the Earth

Johannes Kepler, German mathematician and astronomer, sought to explain the solar system in terms of divine harmony. His goal was to find a system of the world that was mathematically correct and harmonically pleasing. His methodology was scientific in that his hypotheses were inspired by and confirmed by observations. However, his theological training and astrological interests influenced his thinking [TM150, or search for “thatsmaths” at irishtimes.com].

Solar-System-Inner

The six planets known to Kepler [Image NASA].

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Tom Lehrer: Comical Musical Mathematical Genius

TomLehrer-SongBook

Tom Lehrer, mathematician, singer, songwriter and satirist, was born in New York ninety years ago. He was active in public performance for about 25 years from 1945 to 1970. He is most renowned for his hilarious satirical songs, many of which he recorded and which are available today on YouTube [see TM147, or search for “thatsmaths” at irishtimes.com].

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Euler’s “Degree of Agreeableness” for Musical Chords

Euler-10_Swiss_Franc_banknoteThe links between music and mathematics stretch back to Pythagoras and many leading mathematicians have studied the theory of music. Music and mathematics were pillars of the Quadrivium, the four-fold way that formed the basis of higher education for thousands of years. Music was a central theme for Johannes Kepler in his Harmonices Mundi – Harmony of the World, and René Descartes’ first work was a compendium of music.

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Motifs: Molecules of Music

Motif: A short musical unit, usually just few notes, used again and again.  

A recurrent short phrase that is developed in the course of a composition.

A motif in music is a small group of notes encapsulating an idea or theme. It often contains the essence of the composition. For example, the opening four notes of Beethoven’s Fifth Symphony express a musical idea that is repeated throughout the symphony. 

Motif-LvanB-5

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Doughnuts and Tonnetze

The circle of fifths is a remarkably useful diagram for the analysis of music. It shows the twelve notes of the chromatic scale arranged in a circle, with notes that are harmonically related (like C and G) being close together and notes that are discordant (like C and C) more distant from each other.

Tonnetz-Colour

The Tonnetz diagram (note that the arrangement here is inverted relative to that used in the text.  It appears that there is no rigid standard, and several arrangements are in use) [Image from WikimediaCommons].

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Quadrivium: The Noble Fourfold Way

According to Plato, a core of mathematical knowledge – later known as the Quadrivium – was essential for an understanding of the Universe. The curriculum was outlined in Plato’s Republic. The name Quadrivium means four ways, but this term was not used until the time of Boethius in the 6th century AD [see TM119 or search for “thatsmaths” at irishtimes.com].

Quadrivium-Book

Image from here.

It is said that an inscription over the entrance to Plato’s Academy read “Let None But Geometers Enter Here”. This indicated that the Quadrivium was a prerequisite for the study of philosophy in ancient Greece.

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Beautiful Patterns in Maths and Music

The numerous connections between mathematics and music have long intrigued practitioners of both. For centuries scholars and musicians have used maths to analyze music and also to create it. Many of the great composers had a deep understanding of the mathematical principles underlying music. Johann Sebastian Bach was the grand master of structural innovation and invention in music. While his compositions are the free creations of a genius, they have a fundamentally mathematical basis [See TM116 or search for “thatsmaths” at irishtimes.com].

J-S-Bach

Johann Sebastian Bach, the grand master of structural innovation and invention in music.

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Hearing Harmony, Seeing Symmetry

Musical notes that are simply related to each other have a pleasing effect when sounded together. Each tone has a characteristic rate of oscillation, or frequency. For example, Middle C on the piano oscillates 264 times per second or has a frequency of 264 Hz (Hertz). If the frequencies of two notes have a ratio of two small whole numbers, the notes are harmonically related and sound pleasant when played together.

Lissajous-Interval-16-17-SemiTone

Beats from two notes close in pitch.

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Peano Music

The links between mathematics and music are manifold. Mathematics can be set to music in a simple but surprising manner. For the award ceremony of the Gödel Medal in 2014, a musical interpretation of Gödel’s incompleteness Theorems was written by Danish composer Niels Marthinsen. It encodes the basic axioms of number theory that form the focus of Gödel’s Theorems.

Peano-Axioms

The Peano Axioms in symbolic form.

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Entropy Piano Tuning

An ingenious method of tuning pianos, based on the concept of entropy, has recently been devised by Haye Hinrichsen of Würzburg University. Entropy, which first appeared in the mid-nineteenth century in thermodynamics and later in statistical mechanics, is a measure of disorder. Around 1948 Claude Shannon developed a mathematical theory of communications and used entropy as an indicator of information content [TM084, or search for “thatsmaths” at irishtimes.com].

EPT-StretchCurve.jpg

Tuning curve showing the stretch for high and low notes (Image: Wikimedia Commons).

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Temperamental Tuning

Every pure musical tone has a frequency, the number of oscillations per second in the sound wave. Doubling the frequency corresponds to moving up one octave. A musical note consists of a base frequency or pitch, called the fundamental together with a series of harmonics, or oscillations whose frequencies are whole-number multiples of the fundamental frequency.

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